Archives

One of Japan’s greatest living directors, Hirokazu Kore-eda, stunned us with this hushed and intensely lyrical sojourn into the leafy Tokyo suburbs where we are invited to attend a bustling family banquet.

Wanda explores the tragic life and times of an itinerant Pennsylvanian wife and mother who decides to ditch everything and hook up with an abusive petty criminal.

We Are The Best! speaks the passionate language of young blood with immersive dexterity, plunging the audience into a world where PE lessons are deemed horrendous enough to inspire lyrical revenge.

Combining a bracing, combative form of naturalism with grotesque Midwestern gothic, Gummo is a compendium of tall tales about the screw-loose inhabitants of tornado-lashed nowhere town, Xenia, Ohio.

A unique screening of 16mm and 35mm films by the late Marcel Broodthaers including The Battle of Waterloo (1975), which captures the Trooping the Colour and his exhibition Décor: A Conquest, which took place at the ICA in 1975.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman, with her celebrated second feature film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles. With an introduction by Laura Mulvey.

An event celebrating the ICA's Channel 4 Random Acts commissions with artists Duncan Campbell, Steven Claydon, Gail Pickering, Elizabeth Price and Mark Aerial Waller featuring a unique screening of the newly commissioned shorts alongside live extensions of the work.

In Laure Prouvost's feature film The Wanderer, a character undergoes a series of increasingly bizarre and mysterious experiences.

Discoveries at the Cannes Film Festival come in all shapes and sizes, but this year Abdellatif Kechiche’s (Couscous) entry was like a bolt from the blue.

In 1910, Captain Robert Falcon Scott led what he hoped would be the first successful team to reach the South Pole. But the expedition also had a complex (and completely genuine) scientific brief.