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This famously berserk adaptation of Ayn Rand's The Fountainhead - the 1943 novel that championed Rand's own neo-Nietzschian philosophy of ‘Objectivism' - features Gary Cooper as Howard Roark, the uncompromising architect who dynamites a building that fails to conform to his plans.

Dublin-based French artist Aurélien Froment investigates objects and our relationship to them in analytical detail.

This screening explores how video artists have used and appropriated pop culture media, reworking and transforming material from TV, advertising and news to challenge its initial meaning.

Future My Love is a unique love story challenging our collective and personal utopias in search of freedom.

The British science fiction horror film Quatermass 2 (Hammer Film Productions, 1957) initially held general interest for Patrick Keiller as the British counterpart to Invasion of the Body Snatchers (1956).

Shifting between documentary, historical reconstruction and melodrama, The Empty Plan interrogates the relationship between theory and practice in the theatre of Bertolt Brecht.

The new film by award-winning artists Siobhan Davies and David Hinton takes a meditative walk through the everyday, following in the footsteps of the protagonist from the short story The Walk (1917) by Robert Walser.

An ambiguous portrait of the modern entrepreneur, The Social Network depicts computer programmer Mark Zuckerberg's meteoric rise from awkward Harvard undergraduate to the world's youngest billionaire.

A screening of Le Mépris for Iain Sinclair's 70x70, a season of 70 films that have appeared in his novels to mark his 70th birthday, followed by a discussion between Sinclair and writer and film producer Colin MacCabe.

Jon Rafman presents the world premiere of his latest film I dig, you dig, and it, the worm, digs too (2013), as well as a short survey of some of his recent works, followed by a Q&A.