Nought to Sixty

Adapting the lighting of a number of public spaces in and around the ICA, appropriating vibrant lighting schemes from commercial and public sites in London.

Found imagery from advertising, music and fashion exploring the strident projection of identity within these arenas.

A new installation that includes a film about digging, and objects and events that combine light, sound and subtle movement.

ICA Assistant Curator Richard Birkett talks about artists in the Nought to Sixty programme.

A performance work by two young artists working in collaboration with the seminal Boyle Family.

Questioning and critiquing art-world myths, using the impossible Penrose stairs as a starting point.

Video footage from a Bloody Sunday Commemoration march that uses music to reinterpret potentially turbulent narratives.

An improvised and collaborative 'voiceworks' that involves the creation of a live soundtrack.

Arts research and publishing organisation Afterall lead a discussion on independent publishing and critical discourse.

Newspapers, magazines and the internet are manipulated into large-scale collages that invoke notions of sexuality and aggression.

Presenting the work of other artists through publications, events and documentaries and emphasising the communal aspects of artistic production.

Part of the Nought to Sixty salon series, looking at new and experimental models for galleries and arts organisations.

The artist's brother will visit regularly to obey this new work's title: Please Water the Plant and Feed the Fish.

Looking at the places where art and religion overlap, recently working with a group of Carmelite nuns.

Taking Joseph Beuys as a starting point and heading into contemporary tribalistic ritual.

Redmond Entwistle presents Skein, a film about migration made in New Jersey, plus a new work that includes personal accounts of the ICA's history.

A multi-layered event involving installation, performance and documentation, happening both in and around the ICA.

A young singer who recently performed at the ICA is invited back on the understanding that he play, talk and act exactly the same as he did the first time.

This month's Nought to Sixty discussion looks at the state of art education, and the pedagogical as a curatorial model.

Artists Chris Bird, Ian Evans and Alec Steadman look at the art world through events that employ some surprising conceptual strategies.

Investigating the sculptural potential of the everyday, often using found or borrowed objects, bits of other works and studio knick-knacks.

Sculpture and video present the audience with a theatrical performance, one that plays with the perception of live action and the understanding of real time.

Celebrating Marcel Duchamp's 121st birthday with a party and an investigation of the gap between language and object.

Video footage from personal and mass media sources, chopped, edited and distorted to invert the generic into the personal.

Painterly smears and blobs sporting photographic renderings of baseball caps and collaged teeth made from Swarovski crystals.

Artists, dancers, actors, filmmakers, political activists and comedians come together for an evening of skill-sharing and cross disciplinary performance.

A 35mm work showing in the cinema, combining personal myth with historical traces, using photographic imagery and accumulated ephemera.

Considering the representation of women through the twin poles of classical Hollywood glamour and the modernist avant garde.

Macintyre creates analogies between man and nature, using alchemical procedures in her photographic, metal, wood and glass work.

Two film works considering the political and social changes since the World Trade Centre attacks in 2001.

A discussion on the significance of the 'private salon' from Miss B's Salons.

A new worked created from research in the ICA archive, interviews with artists and educators and a workshop held in Dublin.

Modernist sculpture and design and the trappings of bourgeois living mixed with the hedonism of musical subcultures.

Skipping and wiggling between art and music, manipulating the image-making processes of the commercial music scene.

Short films which focus on lives led at one remove from society, looking on the desire to achieve liberty through the simplification of lifestyle.

Drypoint etchings reproducing ICA private-view cards, one for each year since 1950, when the institution first started producing such cards.

Short video works fusing found imagery with lyrical elements that include recordings of music and poetry.

Readings of short fiction by Fusco and others and a screening of the Maysles Brothers' 1965 documentary short Meet Marlon Brando.

Francesca Gavin, arts editor of Dazed & Confused magazine, looks at contemporary art's relationship to the music and fashion scenes.

Sources of sound literally and metaphorically buried, using paint and cement.

An ongoing collaboration with a London busker.

Live performances of out-of-copyright music by bands and DJs.

Questioning how cinema mediates our lived experience.

Tableaux vivants combining historical and modern references.

The technophilia of the amateur inventor, and the aesthetic of glitches.

Films that move across science fiction, Greek tragedy and documentary, unveiling fantastical narratives.

Presented by public works, an art/architecture collective based in London.

The launch of a special edition of HIMTM magazine The Cut.

Installations using sculpture, drawing and photography.

Archive footage reused to make dense social and historical narratives.

Nought to Sixty goes out with a bang: a new commission from noise musicians Maya-Victoria Kjellstrand and Frances May Morgan.

Two new publications and a new performance by Nina Beier and Marie Lund.