Archives

Addressing the question of how young artists can afford to live and work in the face of rocketing UK rents, this panel discusses experiences of renting artists’ studios and exhibition spaces.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with News From Home (1976), a film that engages with her mother, with absence and displacement.

We hear about war predominantly through the media and from politicians with nationalist perspectives. This is an opportunity instead to have artists’ insights on conflict generally, and particularly with respect to Iraq and Palestine.

Marc Singer's critically acclaimed documentary Dark Days, a true landmark in originality and storytelling in documentary film, explores the subterranean world of a homeless community that took root in a train tunnel beneath New York City.

In light of the current Bloomberg New Contemporaries exhibition and in conjunction with the MA in the Contemporary delivered in partnership with the University of Kent and the ICA, this Salon questions the notion of ‘contemporary’.

Inspired by punk author Jon Savage's book and directed by Matt Wolf, Teenage gives voice to emblematic teenagers from the first half of the 20th century.

Designer Bethan Laura Wood, together with maker and collector Anna Lomax, talk to ICA Executive Director Gregor Muir about the inspirations behind their distinct approaches to design and making.

What is the future of ‘theory’ in the Art and Design School? This symposium asks what purpose 'theory' serves, how it should be delivered, and whether or not it has become redundant.

Berlin-based artist Haris Epaminonda investigates anthropological forms in her film and paper-based work, and for this screening she presents a new edit of recent work, accompanied by a live score performed by musicians Kelly Jayne Jones and Pascal Nichols.