26 May 2012
Recent debates have disrupted and complicated the separation between theatre and performance, but what do these debates mean for the moving image - how does the image itself become live and material in form? A distinguished panel tackles subjects raised in The Sensible Stage: Staging the Moving Image, a new collection of essays edited by Bridget Crone.
Chaired by curator and writer Bridget Crone. With curator Vanessa Desclaux, artist Beatrice Gibson, and Pil and Galia Kollectiv.
The biennial hosts a high-profile series of chaired panel discussions and talks, in association with Film London Artists’ Moving Image Network (FLAMIN)