Archives

Originally a 1957 short story, which in turn is based on a real life incident, The Demon is the disturbingly detached account of a pathetic father, Sôkichi, who’s encouraged to commit awful crimes by his partner.

Steven Claydon’s work nods to the Modernist rhetoric, destabilising historical reference points in an attempt to disrupt the viewer’s feeling of nostalgia.

Artist Anthony McCall is joined in conversation with art historian Anne Wagner to discuss McCall’s rarely seen drawings and photographs from the 1970s, as well as the relationship of those works to the performances and films he was also producing at that time.

To coincide with the launch of the latest round of FLAMIN Productions, FLAMIN introduces the FLAMIN Productions scheme and outlines the application process alongside clips from previously supported films.

Artist, writer and educator Linda Stupart gives a tour of the Hito Steyerl exhibition.

In this session, we propose to address a question raised by Naoki Sakaï: What kind of social relation is translation in the first place?

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with Les années 80, Akerman’s extraordinary prototype adventure in the world of the MGM musical.

Photographer Jane Bown has worked for the Observer for an extraordinary 65 years, making unforgettable images of hundreds of subjects – from Jayne Mansfield to the Queen, from John Lennon to Orson Welles.

Oscar-winner Tanovic (No Man's Land) directs his camera at a real-life family in Bosnia and Herzegovina who barely eke out a living collecting and selling scrap metal.

Conceptual artist and writer Victor Burgin is in conversation with curator David Campany, discussing the work of this influential artist and renowned theorist of the still and moving image.