Sandro Aguilar's haunting, formally ambitious debut immerses the viewer in a series of uncanny scenes and signals the arrival of a striking new talent.
A Western spoof from India: the tale of a cowboy from south India who fights to protect the lives of cows and comes up against McDosa, a no-good fast-food chain.
Already a huge sleeper hit in the US, a beautifully nuanced story of a thirtysomething finally coming of age, and a personal and poetic tribute to New York bohemia.
A suitably slack and airy-cool documentary about the Lower East Side artists of early-90s New York – Harmony Korine now the best-known among them – before they got pulled into the mainstream.
Part-fiction, part-documentary, this beguiling film from seventysomething Spanish director Pere Portabella offers an intelligent and witty treatment of Bach's legacy.
Satoko Yokohama's debut stars the misfit of the year: an 16-year-old girl nicknamed Gorilla Man grappling with an unsympathetic boss, a singing contest and her dying father.
Francis Pasion's debut feature, sparked by a real-life murder, combines a lacerating satire of the ethics of reality TV with a cautionary account of the marketability of images of third world poverty.
Wise and deliciously witty, Ryosuke Hashiguchi's film chronicles eight years of a marriage: a husband becomes a courtroom artist while his wife nearly has a breakdown.
Hirokazu Kore-eda's great new film is what the Japanese call a home drama, revealing everything that unites and divides one particular family in one 24-hour time-frame without a shred of melodrama or sentimentality.
Set in the aftermath of 2004's tsunami on Thailand's south coast: an architect from Bangkok has an affair with a hotel manager and offends the still-grieving locals.