A Nos Amours: Chantal Akerman Retrospective

A Nos Amours commences a complete retrospective of Chantal Akerman's entire cinematic oeuvre, beginning with Akerman's first three films, including the beguiling, beautiful, rigorous Hotel Monterey, and the film that prefigures Jeanne Dielman, Saute ma Ville.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman, with two short films and her breakthrough feature length film of 1972 Je Tu il Elle.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman, with her celebrated second feature film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles. With an introduction by Laura Mulvey.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with News From Home (1976), a film that engages with her mother, with absence and displacement.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with Les Rendez-vous d'Anna (1978), a polished, forlorn fable of isolation. With an introduction by Chris Petit.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with Dis Moi  (1980) in which the filmmaker, herself a daughter of a holocaust survivor, engages for the first time with the Shoah.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with Toute une nuit, Akerman’s tender, ever-restless nocturnal of 1982. Co-presented with Birds Eye View Film Festival.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with Les années 80, Akerman’s extraordinary prototype adventure in the world of the MGM musical.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with two shorter films from 1983: one a subtle study of the great, recently deceased choreographer Pina Bausch, and the other a delightful Kafkaesque comedy.

A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with five incredibly rare short films - made in the 1980s and never before seen in the UK.

Film collective A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with an exuberant and sparky musical, at once homage to classic era MGM musicals, and an expression of a highly European sensibility: satirical, teasing, resigned.

Rarely seen, this is Chantal Akerman's interpretation of the off-Broadway hit Letters Home, itself based on the collection of letters sent by Sylvia Plath to her mother.

Also known as American Stories, Food, Family and Philosophy, Akerman weaves together the comical and the tragic, recreating jokes, fables and anecdotes culled from real-life testimony.

Three films made between 1989 and 1992, Les Trois Dernières Sonates de Franz Schubert, Trois Strophes sur le nom de Sacher, and Le Déménagement.

Picking up on the insomnia and nocturnals of Toute une nuit and Les rendez-vous d'Anna, following a young couple caught in a love triangle.

A wordless winter travelogue through the countries of Eastern Europe, from East Germany, through Poland and the Baltic states, across Russia towards Moscow and its cavernous terminal stations.

Shorter films from Akerman's work in the 1980s and 90s continues our complete retrospective of her ouevre.

A dour New York psychoanalyst Henry decides to house swap his Fifth Avenue apartment for a place in Paris.

A screening of two Chantal Akerman films from the late 1990s.

An engaging exploration of female subjectivity.

One side of the line is Arizona, the other Mexico. On one side is the town of Agua Prieta, on the other Douglas.

Sonia Wieder-Atherton is the subject of an extended documentary showcase.

Catherine is recently widowed, so she moves in with her grown-up daughter Charlotte.

In Tel Aviv, Akerman’s camera sees life beyond. Her relationship with Israel is overwhelming and frustrating.

Based on Conrad’s novel about the malaise of a prospector in the dog days of colonialism, this film is Akerman’s last foray as a filmmaker of conventional narrative.