Previously at the ICA - Events
13 Oct 2011
The Marquis de Sade's 120 Days of Sodom is the inspiration for New York based artist Paul Chan's digital projection Sade for Sade's Sake which depicts naked human bodies in rhythmic, orgiastic movements with abstract geometric shapes floating among them. Chan and Kasper König, director of the Museum Ludwig in Cologne, discuss integrating history and historical works of art or events into art that specifically aims to define the zeitgeist. Chan also presents a short lecture entitled Every Artwork is an Uncommitted Crime.