Produced for Sight & Sound magazine’s international poll of the greatest films ever made, this video adapts Nicole Brenez’ argument for the poll to give greater consideration to political films, as well as to the politics of filmmaking.
30 Mar 2017
Our present social and political environment begs a moment of urgent reckoning for the audiovisual essay, whether it is practiced by artists, scholars, or everyday video-makers: how can or should it address the current crises facing the world? Kevin B. Lee's work has pondered this question in the past through video essays on filmic forms of social protest and dissent, including with Nicole Brenez on The Hour of the Furnaces (2012), in The Essay Film: Some Thoughts of Discontent (2013) and Real Film Radicals (2013).
These earlier videos explored films and media artefacts made by other creators. But at what point do audiovisual studies of works of activism become activist works in their own right? Especially when one important dimension of the video essay is to uphold a critical distance from its subject? How do criticism and activism co-exist, and possibly inform and nurture the other? In this event, Lee explores these questions through screening and discussing his and other recent works that engage with a social and political consciousness.
With the support of the Department of Film, Theatre & Television, University of Reading, and the Goethe-Institut, London.
We are offering a special multibuy offer for Essay Film Festival 2017:
- if you purchase tickets for 3-4 screenings pay £9 (full price) / £7 (concessions) / £6 (ICA Members) per ticket
- If you purchase tickets for 5-6 screenings pay £8 (full price) / £6 (concessions) / £5 (ICA Members) per ticket