Following the tragic death of filmmaker and artist Chantal Akerman, Adam Roberts reflects on her extraordinary life and work.
A peek into this exuberant and unsettling film, screening as part of the Chantal Akerman retrospective at the ICA.
Short or long? Adam Roberts tackles Chantal Akerman's use of short-form cinema and its effect on her artwork.
Adam Roberts from A Nos Amours introduces Toute une Nuit ahead of a screening on Thursday 10 April at 8pm.
A Nos Amours continues a retrospective of the complete film works of Chantal Akerman with Les Rendez-vous (1978).
Some will have seen Jeanne Dielmanby Chantal Akerman (screening on Thursday 12 December as part of the A Nos Amours complete retrospective)
L’Enfant aimé – ou je joue à être une femme mariée (1971, 16mm, b&w, 35 minutes), was screened at the ICA by A Nos Amours,