The third feature from acclaimed director Josephine Decker is a jazz-infused fever dream that tackles head-first the thorny themes of cultural production and appropriation.
Made by and starring disfigured people, Aaron Schimberg’s dextrous, darkly comedic film-within-a-film makes you think about cinematic representation without offering simple resolutions.
Stunning and surreal, this hybrid documentary finds a group of hotel staff reflecting on their life, hopes and dreams in a deserted Egyptian holiday resort.
Throwing fascism, colonialism and gender into a cinematic blender, Gabriel Abrantes and Daniel Schmidt serve up a candyfloss farce that’s an absurdist delight.